Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

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Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many revolutionary filmmakers, September 6-8.

A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility together with evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been hardly ever seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.

One of several biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new electronic restorations and brought in movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War for the Worlds: Next Century, a reimagining of this H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the rest of the survivors of the nuclear apocalypse because they await a mythical Ark to truly save them from their dire situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a objective to a police state hell planet; and Szulkin’s last movie, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland into the aftermath regarding the Communism Szulkin criticized throughout their profession. Furthermore, the retrospective will emphasize Szulkin’s film that is short, such as the folklore-inspired morality play Dziewce z ciortem in addition to documentary Working Women .

Presented in collaboration aided by the Polish Cultural Institute nyc.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and are also $15; $12 for students, seniors (62+), and individuals with disabilities; and ten dollars for movie at Lincoln Center people. Save because of the purchase of three seats or higher.

Acknowledgments: Polish Cultural Institute Ny; Daniel Bird

FILMS & DESCRIPTIONS All screenings occur during the Walter Reade Theater (165 western Street that is 65th otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, plus the notion of the nuclear family members.

Preceded by: brand New digital renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted frame price, this very very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life on the planet has grown to become therefore wonderful that only prisoners are utilized for the risky company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently doomed objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously like a dilapidated, postapocalyptic world, where he’s welcomed because of the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of their infant child, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

Brand brand New digital renovation Golem Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts make an effort to produce an innovative new, flexible competition of people. a seemingly ordinary item for the effort, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab bloc architecture that is soviet. Szulkin’s feature that is bold, styled in sepia tones and dramatic lighting, was known as a precursor to Blade Runner , but its title additionally appears returning to a far more ancient myth of creation and morality.

Preceded by: New restoration that is digital Gal and also the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter utilizing the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s final movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (his signature policy: universal free alcohol) simply to institute his or her own absurdist, tragicomic reign of terror. Updating Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an musician whom devoted https://mail-order-bride.net/ukrainian-brides/ their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm

Brand brand New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What remains of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They truly are spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to push away total collapse. Working in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and religion that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

brand brand New electronic renovation The War associated with Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s follow-up to Golem starts using the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) while the sound of these 1984 -esque propaganda device. Nevertheless when Iron dares to set off message, he makes an enemy even higher than the aliens: the state it self. Released in the same way Poland was being plunged into martial law and straight away prohibited, The War associated with Worlds: Next Century is a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth world. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm

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